Why DSLR’s Using Continuous Lighting Have Exposure Problems

29 12 2012

I’m often asked when we will be putting out a diffuser for LED Continuous Light Units.  The answer to that is, the problem with your images may have issues that have nothing to do with diffusion.  It’s the nature of continuous light sources.  They do not have metering!

If you have a continuous light source, when your subject moves closer to the light, of course your subject will be brighter.  To compensate for that, your DSLR will typically meter on your subject’s face, therefore it will instantly increase the shutter speed or close the aperture to make sure the face isn’t blown out.  When the camera does this, the background becomes dark.  That’s because the difference in the mixture of your continuous light and the background is greater.

Using continuous lighting is therefore preferable for subjects that do not move (as in, portraiture).  Additionally, the color temperature of your light will typically not match the background light.  You could use a warming, “tungsten” color filter, but when the camera’s auto white balance corrects the color temperature in, say, auto white balance, the entire image will look neutral balanced, or like it was taken outdoors on a cloudy day.  This will then no longer look like an indoor image.

This is the reason flash units are used by professionals.  Reason 1) TTL metering and the ability to “mix” your available light with your flash pop, 2) auto white balance using flash will produce a midway color temperature between the incandescent tungsten and your subject.





The Gray Dome For Accurate Exposure And Color Management

23 09 2012

Throughout the history of color photography, photographers have relied on gray cards for the most accurate color matching. When you have a need for the most accurate color matching, and exposure accuracy, nothing beats the good old-fashioned 18% gray card - until now!

My new Gray Dome is not for use on lighting equipment.  To think more outside-of-the-box, I created a great solution for portability, reliability and accuracy.  This dome is it.

The reason a dome is better than a flat gray card is because on the flat card, you cannot tip the card.  If you lean the card forwards a 1/2 inch, you may find that the card gets brighter!  And if you lean it forward, it gets no overhead light.

Think about this.  An 18% gray card absolutely offers great measurement of light and color – except!  when you need it the most (as in someone holding it for you.








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